Want to give your MPC creations a professional mix? Enter the IB-M208P, an easy to install, 8-output interface board with digital IN/OUT. This is an ideal upgrade if you want to mix down your samples and sounds either individually or in sub-groups....
expand review Now you can assign each drum sound or sample to an individual channel to be mixed on a mixing board or inside of your computer. In addition you get stereo digital S/PDIF IN and OUT, which makes it possible to import and export sounds between the MPC and a computer, CD or any other digital source. All within the digital domain so you won't sacrifice the sound quality. This is definitely a necessity for achieving a proper mixdown, and keeping your digital audio sounding its best.
OVERVIEW
The XR20 is Akai's smallest all-in-one beat production station. This ultra-compact and portable unit allows you to produce beats on the go (via optional battery powered operation) or in the studio with over 700 pre-loaded sounds, an integrated effects engine, MIDI I/O...
expand review and a mic input for laying down vocals over your creation. All this with the trusted feel and sound quality Akai is famous for.
FEATURES
For it's compact size, the XR20 is big on features. It comes with over 700 pre-loaded sounds and kits including professional sounding drums (electronic and analog), percussion, bass, synths, sound effects, vocal and instrument hits as well as an integrated effects engine for high quality reverb, EQ, and compression for full control over the sound. The XR20 also features
a mic input for mixing vocals with your patterns plus a very useful MIDI I/O for integrating the unit into your MIDI setup.
The unit itself is incredibly compact and can run off batteries or AC adaptor for added portabillity. It's sleek black frame is accentuated with a bright blue LCD screen and brilliant backlit pads that actually light up while following the beat for visual cues and added precision. Different patterns you create can be triggered by individual pads for even more versatility. Additional features include drum roll/note repeat for added realism and expression, footswitch input and headphone out.
OUR OPINION
Akai's XR20 is a heavyweight contender in the portable production unit realm with an impressive list of features and a very attractive price. Boasting professional quality sounds built-in, MIDI I/O, mic input, trusted Akai functionality and much more for under $300, the XR20 is the perfect unit for producers of all skill levels that want a portable all-in-one production unit for a reasonable price. -the mgmnt
Don't be intimidated by it's size (this unit measures 17.5" x 13.5" x 3"!), this is one serious percussion pad controller. Featuring 8 velocity-sensitive pads with a responsive rubber surface for excellent response and expressive performance (you can use drum sticks on...
expand review this baby), as well as 2 trigger inputs for connecting external pads such as the Alesis Drum Pad and Cymbal Pad expansion kits this thing is basically like having a full drum kit that you can carry around with ease. It also features 2 footswitch inputs that accomodates for open and closed hi-hat, as well as kick drum for an authentic, realistic percussion performance. Up to 20 percussion setups are stored to internal memory, and you can customize pads and 2 external triggers into individual settings for MIDI channels, note numbers and customized velocity sensitivity and curves. The Control Pad operates on USB power, or with an included A/C power adapter. Also includes FXPansion's BFD Lite, a professional drum module with high-quality acoustic and electronic drum kit libraries. Compatible with MAC and PC. -snackmaster
OVERVIEW
Alesis' iMultiMix 8 USB is a sturdy, compact all-in-one tabletop mixer and recorder with USB connectivity, 8 channels, 100 studio grade 28-bit digital effects, a built-in limiter to avoid distorted recordings and an integrated iPod dock with control wheel transport controls for...
expand review fast, easy direct-to-iPod recording. This is the first in the first interface/mixer we've carried to feature integrated iPod control and recording capability.
FEATURES
The iMultiMix 8 USB inherits many of the same features as the standard MultiMix 8 USB. It features USB connectivity which makes the iMultiMix both an input mixer and an audio interface, 8 channels (with 3-band EQ per channel) - (4) high-gain mic inputs with phantom power, balanced 1/4" inputs, 1/4" outputs, 1/4" monitor output, and headphone out, and 100 easily accessible effects including reverbs, delays, chorus, flanging, and pitch. The big addition here is the integrated iPod dock. With it, you are able to record your sets direct to iPod and easily transfer directly to iTunes with no special drivers needed. The iMultiMix 8 also allows playback from your iPod for easy integration of your iPod in live performances. Steinberg Cubase LE (the limited version of Cubase) is also included.
OUR OPINION
The iMultiMix 8 is rugged + portable and will serve as an excellent input mixer and USB interface, but with the addition of dock and direct-to-iPod recording, Alesis made a good thing even better. DJs and producers will benefit from an easy way to get ultra clean recordings from gigs, practices, etc., plus bands will also benefit from a way to record several inputs at one time and the ability of adding a backing track through the iPod playback feature. -the mgmnt
Professional level interface from Alesis with 4 analog and 10 digital inputs, clean design, low noise, and high quality components. The iO14 boasts 24-bit, 44.1- 192 kHz operation with multiple output options including Firewire, MIDI, S/PDIF and ¼". This interface allows you...
expand review to record and monitor all your analog & digital sources in high definition, with no computer latency. The iO14 also features a standout, portable design featuring a metal body and oversized metal knobs. It comes bundled with the popular production software Cubase LE. -the mgmnt
OVERVIEW
Alesis applies their slick design, low noise, and high quality components to this USB interface. The iO2 boasts 24-bit, 48 kHz operation with high-end A/D and D/A conversion. The iO2 also features a standout, portable design featuring a metal body and oversized...
expand review metal knobs. It comes bundled with the popular production software Cubase LE.
FEATURES
• (2) XLR mic inputs with phantom power
• (2) 1/4" balanced line inputs
• (2) 1/4" balanced line outputs
• 1/4" TRS inserts on input channels
• dedicated LED meter on both channels
• S/PDIF input and output
• MIDI input and output
• USB powered, low power usage for minimal battery drain
• headphone monitor with mono-stereo switch -the mgmnt
OVERVIEW
Alesis' MultiMix series is a strong addition to the audio mixer market. This series integrates Alesis' low noise electronics (what they are known for), 100 digital effects, and rock solid construction all at a very competitive price. The MultiMix 12 Firewire is...
expand review first in the Firewire line to offer slider controls, and offers 12 channels and a Firewire in/out for interfacing with your computer.
USES
- mixing different sound inputs
- adding effects
- high quality Firewire audio interface
FEATURES
The first thing that must be highlighted is the design of this mixer. Alesis has always been known for their eye pleasing design, but here they've surpassed expectations by delivering rugged construction and an extremely compact, portable size.
In addition to the 12 channels and Firewire connectivity, the MultiMix 12 Firewire features (4) high-gain mic inputs with phantom power. There are balanced 1/4" inputs, 1/4" outputs, 1/4" monitor output, and headphone out. The Firewire port does not need any drivers and works as a fully functional Firewire audio interface with 24-bit, 44.1/48 kHz sampling and high-end A/D and D/A conversion using next-generation Dice II FireWire chip.
There are 100 easily accessible effects including reverbs, delays, chorus, flanging, and pitch. Each channel features a 3-band EQ. Steinberg Cubase LE (the limited version of Cubase) is also included.
OUR OPINION
The lines between high priced mixers and affordable mixers like the Multimix series are getting blurred. The Multimix series is built to be very rugged and portable, and offers some unbelievable features at this price range (Firewire connectivity and effects). The Firewire connectivity is especially crucial because once you utilize the excellent, clean sound of this mixer, you can transfer it digitally to your computer while keeping sound quality intact. This is a highly recommended mixer for your home studio. -the mgmnt
OVERVIEW
Alesis' MultiMix series is a strong addition to the audio mixer market. This series integrates Alesis' low noise electronics (what they are known for), 100 digital effects, and rock solid construction all at a very competitive price. The MultiMix 8 Firewire is...
expand review the first offering in the Firewire line and offers 8 channels and a Firewire in/out for interfacing with your computer.
USES
- mixing different sound inputs
- adding effects
- high quality Firewire audio interface
FEATURES
The first thing that must be highlighted is the design of this mixer. Alesis has always been known for their eye pleasing design, but here they've surpassed expectations by delivering rugged construction and an extremely compact, portable size.
In addition to the 8 channels and Firewire connectivity, the MultiMix 8 Firewire features (4) high-gain mic inputs with phantom power. There are balanced 1/4" inputs, 1/4" outputs, 1/4" monitor output, and headphone out. The Firewire port does not need any drivers and works as a fully functional Firewire audio interface with 24-bit, 44.1/48 kHz sampling and high-end A/D and D/A conversion using next-generation Dice II FireWire chip.
There are 100 easily accessible effects including reverbs, delays, chorus, flanging, and pitch. Each channel features a 3-band EQ. Steinberg Cubase LE (the limited version of Cubase) is also included.
OUR OPINION
The lines between high priced mixers and affordable mixers like the Multimix series are getting blurred. The Multimix series is built to be very rugged and portable, and offers some unbelievable features at this price range (Firewire connectivity and effects). The Firewire connectivity is especially crucial because once you utilize the excellent, clean sound of this mixer, you can transfer it digitally to your computer while keeping sound quality intact. This is a great mixer for portable or home usage.
UPDATE: This is the USB 2.0 model which features USB 2.0 technology for ultra-fast, low-latency, 24-bit/44.1-96kHz (with high-end A/D and D/A conversion) multi-channel audio recording straight to your computer. Also features a new, sleek black finish.
OVERVIEW
Alesis' MultiMix series is a strong addition...
expand review to the audio mixer market. This series integrates Alesis' low noise electronics (what they are known for), 100 digital effects, and rock solid construction all at a very competitive price. The MultiMix 8USB 2.0 is the middle model in the line and offers 8 channels and a high resolution USB in/out for interfacing with your computer.
USES
- mixing different sound inputs
- adding effects
- USB audio interface
FEATURES
The first thing that must be highlighted is the design of this mixer. Alesis has always been known for their eye pleasing design, but here they've surpassed expectations by delivering rugged construction and an extremely compact, portable size now in sleek black.
With the USB connection, comes two big bonus features. The Multimix USB8 doubles as both a input mixer and an audio interface, that's one less piece of hardware to buy. Record audio into this unit, directly into your computer. In addition Alesis has included an excellent production program in Cubase LE to get you started.
In addition to the 8 channels and USB connectivity, the MultiMix features (4) high-gain mic inputs with phantom power. There are balanced 1/4" inputs, 1/4" outputs, 1/4" monitor output, and headphone out.
There are 100 28-bit easily accessible effects including reverbs, delays, chorus, flanging, and pitch. Each channel features a 3-band EQ. Steinberg Cubase LE (the limited version of Cubase) is also included.
OUR OPINION
If you are not shopping for an expensive professional mixer like those made by Mackie, we highly recommend the Multimix USB8 2.0. It's very rugged and portable, and offers some unbelievable features at this price range (USB audio interface and effects). The USB 2,0 connectivity is especially crucial because once you utilize the excellent, clean sound of this mixer, you can transfer it digitally to your computer while keeping sound quality intact at high speeds. This is a great mixer for portable or home usage. -the mgmnt
OVERVIEW
Audio Technica not only takes the guesswork out of buying home studio mics, they've also slashed the cost with this special two mic bundle. The AT2041SP features two of Audio-Technica's best selling home studio/entry level mics. The critically acclaimed AT2020 side-address...
expand review condenser is ideal for vocal and instrument applications, while the highly portable AT2021 small-diaphragm condenser is a natural for acoustic instruments, overheads, hi-hat and piano.
AT2020 FEATURES
- the price/performance standard in side-address studio condenser microphone technology
- ideal for project/home-studio applications
- high SPL handling and wide dynamic range provide unmatched versatility
- custom-engineered low-mass diaphragm provides extended frequency response and superior transient response
- cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source
- pivoting, threaded stand mount attaches securely for easy and precise placement of the microphone
AT2021
- ideal for acoustic guitar, overheads, piano and group vocals
- condenser design for studio-quality vocal and instrument applications
- excels in high-SPL applications
- extended response for smooth, natural sonic characteristics
- low-mass element for superb transient response
- corrosion-resistant contacts from gold-plated XLRM-type connector
- rugged design and construction for reliable performance
- cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source -mgmnt
OVERVIEW
With the third generation of Gina, Echo once again raises the bar on entry-level audio/MIDI interfaces. What separates Echo products from others on the market is their continued dedication to providing pro-quality features at a reasonable cost. The Gina 3G is no...
expand review exception to this rule, with a spec list that outperforms all other audio/MIDI interfaces in the under $500 category. The one draw back to the Gina 3G is that it requires installation of an included PCI card for operation. While the installation process itself is easy, this means users of laptops, iMacs and other computers without a PCI slot cannot use the Gina. However for those with a PCI slot, consider this a rock solid hub for your home studio.
USES
• Sound recording & playback
• High Quality A/D (Analog-Digital) & D/A (Digital-Analog) conversion
• Multi-track recording, sequencing, editing and mixing (when combined with software)
• 8 output, "breakout" analog mixing
• Digital transfers
• LP to CD transfers
FEATURES
The Gina 3G is fully equipped for all 24bit/96kHz digital audio and MIDI recording scenarios. Analog connections include two (2) universal 1/4/XLR inputs each fitted with its own low-noise, phantom powered studio grade preamp and six (6) balanced 1/4" outputs. Digital connections include ADAT (light pipe) in and out (which will allow you to simultaneously record eight (8) tracks at once when used with other light pipe equipped devices) as well as both optical and coaxial S/PDIF stereo connections. Also included are MIDI in and out, and a headphone jack with individual level control. Echo's advantage over other hardware devices is most apparent in the high quality of its A/D (analog/digital) and D/A converters, which out perform all other interface converters in the same class on both paper and to the ear.
Almost all-major recording/sequencing software (Cubase, Logic, LIVE, Reason, etc) is supported with the Gina 3G, with the exception of Protools (which requires Digidesign hardware). It also comes with a free copy of Mackie's Tracktion recording/sequencing software, which is laid out simply like a sophisticated version of Apple's Garage Band. Echo's own console software is included for mixing and monitoring your work and the Gina 3G can also support surround sound playback.
OUR OPINION
If you are looking for the best possible sound quality for your recording but are not willing to pay the extra $1000 for a separate converter unit, then the Gina 3G should be your choice. Analog to digital conversion is the most crucial stage in digital recording. The higher the quality of the converters you use, the better the dynamic range and less errors your recordings will have. While most budget interfaces have converters that will do the job well, none can match the quality of Echo products. Unfortunately Echo are yet to enter the USB/FireWire market, which means the Gina 3G can only be used with tower Mac's and PC's equipped with PCI card slots. Because of this, laptop and iMac users cannot use the Gina 3G. -the mgmnt
OVERVIEW
Korg enters the basic USB controller market with the K-Series. Korg has been making keyboards longer than any controller company on the market; and they've taken their expertise and applied it to the series, creating a great feeling, very affordable controller. This...
expand review is the 61 key version, excellent for small home studios or full size studios. It features full sized keys and a selection of four velocity curves to adjust to the individual's playing style (including a fixed level – great for keyboard novices).
FEATURES
Additional features include pitch blend and modulation wheels, and a joystick which can control X/Y or work as a mouse to control on-screen setup. Two assignable switches can be set to either momentary or toggle operation, and both On and Off values can be set. These switches can be set as Program Change up and down buttons. A pair of knobs can be assigned independently to any controller, and both transmit the full range of values. The K49 also features an assignable slider. And if you need hands-free control, the K-Series also includes an assignable foot switch input on the back panel.
Since May 2007, until further notice, the K61 and K61P controllers are coming bundled with the following cutting edge software products: Live Lite 6 Korg Edition, SampleTank 2 Korg Edition which comes with over 150 MB of custom sounds, UVI Korg Edition with 700 MB of drum kits and sounds, Reason Adapted 3.0 for Korg, and the MDE-X which contains a full version of the Korg Legacy Collection's multi-effect plug-in software(For units purchased after May 2007, check the Korg website to download a redemption form).
The K61 also comes with free editor software so you can create and save custom controller assignments – or scenes – in an easy, visual manner. In addition, the K-Series comes with with a free M1 Le software synthesizer. The M1 was introduced back in 1988 and went on to become the best selling synthesizer of all time. This software version perfectly reproduces the original M1 while taking advantage of the power and benefits of your computer interface.
OUR OPINION
The K-Series is an excellent choice for those who like their controllers straight-forward, clean, and simple. These controllers are great for beginners and advanced musicians alike, offering excellent feel at this price range. The inclusion of the editor program and the M1 Le software makes this an excellent all-around purchase.
OVERVIEW
The Kontrol49 is the big brother of our bestselling MicroKontrol controller. The main upgrade is the inclusion of 49 full-sized keys (MicroKontrol has 37 Mini-Keys). The 49 keys also feature the same technology and feel as Korg's professional workstation instruments (ie Triton),...
expand review and have eight velocity curves to tailor the response to your own playing or specific applications. Additional upgrades include pitch and modulation wheels, and the newly designed vector joystick which gives you the option of simultaneously controlling 2 functions. In addition, it now comes with the Creative Kontrol Pak 2 software bundle which includes Live Lite 4 Korg Edition, Sample Tank 2 Korg Edition, UVI Korg Edition, Reason Adapted 3.0 for Korg, and MDE-X.
USES:
- Controlling virtual instruments & programs
- Controlling MIDI compatible devices
- USB/MIDI Interface
- Drum programming
FEATURES
The obvious spotlight feature on the Kontrol49 are the keys. For those who are serious about keyboard play, the Kontrol49 offers the best combination of full-featured controller and realistic keyboard play. In addition, with the eight velocity curves, it is easier to achieve the sound you want from your soft synths programs (quick stabs or longer sustain). The Kontrol series is also the first controller series in this price range to feature drum pad controllers. We at the Lab have always advocated using drum pads for programming drums, and the Kontrol49 gives you that option and more.
The additional (8) assignable sliders, (8) rotary knobs, and new vector joystick give you full control of today's complex programs and a wide range of MIDI-instruments. A useful innovation here includes the backlit LCD screens for each slider-knob combo with customizable tags and color coding. This eliminates the need for messy tape with assignments written on it, and allows you to change settings faster. In addition to presets for most popular programs, you also get Korg's Editor/Librarian software which allows you to create and store custom configurations on your computer. For Reason 3.0 users, the Kontrol49 comes Native Mode ready.
OUR OPINION
The little-brother MicroKontrol is one of the first controllers we recommend to customers. When you want to step up your studio from an intermediate/portable studio, we would recommend the Kontrol49. It simply has all the features you could want in a controller, and all of them are quite useful. The realistic keyboard play and drum pads are two of the standout features here, and it's all brought together by Korg's reputation for usability and quality.
OVERVIEW
The microX keyboard combines some of the best that Korg's legendary synths and controllers offer, wrapping it up in a compact and very portable package. The microX comes loaded with hundreds of options (pre-loaded sounds, effects options, and programs) for creating music...
expand review and also functions as an excellent controller. There are 25 velocity-sensitive keys, 4 control knobs and an X/Y joystick. The features make it an excellent choice for small home studios and on the road production; it also comes in a hard plastic carrying case like a proper piece of hardware.
FEATURES
The microX is built from the same platform as Korg's Triton series, employing the acclaimed HI synthesis system for generating all its internal sounds. The microX features an huge, impressive battery of built in sounds, with many options for controlling them. It comes pre-loaded with over 1000 built in sounds and programs, some of them Korg "classics" and some created specifically for the microX, with a special emphasis on dance sounds and ethnic timbres. In "combination mode" you are able to combine up to 8 different programs – with 384 combinations already pre-loaded. There are also 89 different effects to choose from, with real time modulation and tempo control available for most of them. A powerful dual polyphonic arpeggiators provide even more possibilities, with 250 pre-loaded patterns ranging from realistic phrases to distinctive flourishes. Korg makes it easy to use this wide array of sounds with great navigation, and quick ways of finding + previewing sounds.
As a controller, the microX features everything you need to synch up with your computer. There are four main knobs and a 4-way joystick, all of which are assignable and work with just about every software program (64 external templates are provided for easy use with the most popular software synths and production programs). USB connection (cable included) allows you to connect directly to the computer. They also include Editor software for reworking the microX's sounds from your computer- use as a standalone program or as a plug-in with your existing software.
OUR OPINION
The microX continues Korg's tradition of top of the line keyboards, and improves on their more recent entry's into affordable synths and controllers. The fact that you have a synthesizer and controller in one piece is a great thing in itself, but Korg always takes things a step further and has really provided an impressive, useful tool with the microX. Great look with the hard plastic carrying case as well.
-the mgmnt
OVERVIEW
Korg's R3 is a full featured synthesizer that delivers powerful analog synthesis and advanced sound creation from a compact digital keyboard paired with a high quality vocoder (mic included). The R3 uses the same MMT (multiple modeling technology) sound generator as its...
expand review big brother the Korg RADIAS giving it thick, bold and crisp analog sounds that will definitely satisfy both beginners and experienced professionals. Its versatile synthesis modeling, ample effects and editing capabilities make it suitable for all types of music from r&b, funk, hip-hop, techno, and house, plus its MIDI I/O and USB connectivity allows it to fully integrate with and grow with your studio.
FEATURES
The R3's top feature is the solid analog synthesis from Korg's MMT (multiple modeling technology) engine. Usually used in much more expensive full size keyboards, this technology delivers full, rich analog sound (via 2 oscillators, 3 envelope generators, 2 LFO filters, + amp and noise generators per voice with 8 voice polyphony) all within the R3's very compact 37 key frame. Unlike many synths this size, the R3 features full size, velocity sensitive keys which makes it much easier to work with (a big complaint about the microKorg is the minikeys) and 2 timbre/8 voice performance power.
In addition to MMT synthesis, the R3 also boasts several features to further shape and tweak your sound. 2 filters with selectable routing are available: Filter 1 is a multi-mode resonant design that lets you continuously vary between various low-pass, high-pass and band reject characteristics. Filter 2 has a switchable, multi-mode resonant design that also includes comb filtering, which can be made to feed back in order to boost multiple series of overtones, giving you amazing potential for generating unique tonal changes. There are also 6 virtual patches available on the R3 that simulate the patch cord functions of older synthesizers (MS and PS series Korgs), a modulation sequencer that can apply time-varying changes to a specific parameter, a 2 band EQ for each timbre with 2 insert effects, and a flexible, editable arpeggiator with 6 different arpeggio patterns built in.
There are a total of 128 preset programs (16 banks x 8 programs) all of which are fully editable and feature a diverse range of sounds from highly complex synths using cross modulation, formant motion and arpeggios, to thick, warm sounds you would expect from analog modeling. The R3 also has 2 external audio input jacks that allow you to process and transform the sound from external audio sources. Create new sounds by playing other instruments and loops through the R3 and using the external audio source as a filter or oscillator.
Also included is a high quality vocoder with 16 channels, adjustable level and pan for each channel, formant shift, formant motion and formant hold functions, MIDI I/O features, USB connectivity and Korg's R3 Editor software to edit and save your programs with your Mac or PC.
OUR OPINION
If you are familiar with the best selling Korg microKorg, think of this as a step up... a BIG step up. The powerful MMT synthesis alone is worth the price of admission, but add to that the full size keys(!), a serious vocoder, MIDI and USB functions and compact portable size and you've got a great addition to your studio set up that won't break the bank. A great synth that is loaded with features you can really get deep with. Recommended. -snackmaster
OVERVIEW
The X50 synthesizer is the latest entry into Korg's smaller keyboard line, built on the same platform as Korg's (much more expensive)Triton series. It employs the acclaimed HI synthesis system for generating all its internal sounds and comes loaded with the over...
expand review 1000 sounds and programs, flexible effects options, arpeggiators and more.
FEATURES
Korg made its name on being the industry standard for synthesizers, and the X50 lives up to that legacy with a wide range of sounds. It features a huge, impressive battery of built in sounds, with many options for controlling them. It comes pre-loaded with over 1000 built in sounds and programs, some of them Korg "classics" and some created specifically for the microX, with a special emphasis on dance sounds and ethnic timbres. In "combination mode" you are able to combine up to 8 different programs – with 384 combinations already pre-loaded. There are also 89 different effects to choose from, with real time modulation and tempo control available for most of them. A powerful dual polyphonic arpeggiators provide even more possibilities, with 250 pre-loaded patterns ranging from realistic phrases to distinctive flourishes. Korg makes it easy to use this wide array of sounds with great navigation, and quick ways of finding + previewing sounds. For controlling your sound, you also have 4 assignable knobs, 2 switches and "pitch bend" & "mod" wheels. For outputs USB port for directly connecting to your computer and using with software. They also include Editor software for reworking the microX's sounds from your computer- use as a standalone program or as a plug-in with your existing software.
OUR OPINION
With Korg's advanced sound generators, effects and keyboard technology all functioning together, the X50 makes a great choice for a stand alone or studio synthesizer. While the X50 features 61 full sized, velocity-sensitive keys, it's still small & light weight enough to make it portable and an easy choice for both live & studio use -the mgmnt
OVERVIEW
Mackie's 1642-VLZ Pro is a semi-compact, fully featured analog mixer, designed for advanced home/project studios and multi-media post-production. The main function of this mixer is combining multiple audio signals (drums, bass, keys, sampler, etc) to mix into one output (monitors, headphones, master...
expand review recorder, etc.). For example, it could be used for recording an entire band, giving each sound an individual channel or it could be used if you have a lot of gear like a sampler, drum machine, microphone, synth, etc and want to hear them all at the same time. In addition it allows you to adjust levels, eq (3 band), and add effects to the individual channels of audio. After you are satisfied with the mix, you can output that signal into a computer or cd burner. The 1642 is especially useful for those using a multi-track recorder, the four-buss system can be used to direct single audio signals to individual multi-track channels, without having to plug cables in and out or use a patch bay. In terms of quality, the 1642 offers the same ultra-low noise level that has made Mackie the industry leader in semi-pro mixers, while its semi-compact design and strong steel chassis make it ideal for live situations where separate audio signals need to be mixed.
USES:
- Mixing multiple (maximum of 16) audio signals
- Microphone pre amplification
- Adding EQ to audio signals
- Multi-track recording with four-buss system
FEATURES
The main advantage of the 1642 over smaller models is its four buss system. Each channel is equipped with control buttons, when engaged they direct the channel's sound to a individual buss' input. The user connects each of the four buss' outputs directly to an individual input on their multi-track. With this set-up, the push of a button can send a sound directly to a channel of the multi-track with out any need for rewiring.
The 10 XDR™ (Extended Dynamic Range) pre-amps with the available phantom power included on the 1642 will allow the user to record an entire band with both pro and semi-pro mics. Engineered to give professional, clean results with plenty of headroom, these mic pre-amps will greatly improve your microphone based recordings.
The EQ section of the 1642 is strategically designed to give the user parametric control on all mono channels and a set 4-band EQ on the stereo channels. The four mono AUX sends and stereo AUX returns as well as eight inserts make using out board effects (like reverb, echo, compression, etc, which are not included) a simple matter of plug and play. The advanced matrix style monitor control section, gives the user plenty of options for setting up the proper monitoring environment, for both musicians and the engineer. With sixteen channels the 1642 is a the right mixer for those who want to breakout the parts of their song and mix each section individually.
OUR OPINION
Mackie has a tried and true reputation for making solid products at reasonable prices. As stated earlier, the main benefit of the 1642 over smaller Mackie models is its four-buss system. In creative hands, the busses' uses can go way beyond the scenario described earlier (e.g. sub-grouping compression).
The 1642 has other advantages over smaller models, the four-band EQ gives the user much more control over their sounds. On the channels with parametric EQ the user is not only able to control the volume of the cut/boost curve, but also the frequency that is cut and boosted, a very useful tool for shaping sounds.
Having 10 XDR™ mic pre-amps will enormously benefit those who want to record live bands. This way five pre-amps can be used to boost the drum set's gain levels, while the remaining five can be used for guitar, bass, vocals or whatever configuration you dream up.
As with all Mackie boards the 1642 incorporates the ultra-low noise circuitry that has made them the market leader in compact mixers. While the 1642 isn't as compact as the 1202 it is still small enough to fit in a rack mount and its strong construction and steel chassis make it a great companion for touring.
OVERVIEW
M-Audio soundcards are the industry standard for home studio computer setups. The Audiophile 192 is the upgraded version of our most popular soundcard, the M-Audio Audiophile 2496. The most noticeable difference is the upgrade to 192kHz sampling rate which in addition to...
expand review a low signal to noise ratio, will give you the highest quality sound for music production, mastering and critical listening.
USES
• audio recording & playback
• MIDI recording & playback
• MIDI input & output
• vinyl to digital transfers
FEATURES
In addition to the 24-bit/192kHz audio, the main strength of the 192 is the array of input/output options. These include 1/4" balanced inputs and outputs, separate 1/4" monitor output, 16 channel MIDI I/O, and digital I/O. All of these options feature excellent signal-to-noise ratio for high quality recording and listening.
OUR OPINION
In this category and price-level, M-Audio has very few competitors. They offer the most features at an incredible price. The 24-bit/192kHz audio capabilities also ensures that the Audiophile 192 will grow with your studio. -the mgmnt
The KeyRig 49 is M-Audio's ultra-slim, 49-note USB MIDI keyboard packaged with the award-winning Key Rig software. The keyboard features 49 full size keys, assignable mod wheel and volume slider, pitch bend wheel, +/- octave buttons, edit mode button, and sustain pedal...
expand review input. As an added value, the Key Rig 49 also includes the Key Rig software (PC only) which features 4 virtual sound modules: SP-1 stage piano, MS-2 polyphonic synth, MB-3 tone wheel organ, and GM-4 general MIDI as well as Ableton Live Lite so you can start creating music right away. The Key Rig 49 is fully powered via USB or optional 9V DC adaptor (not included). Instant installation (plug and play) with both Mac OSX and Win XP or Vista. -the mgmnt
OVERVIEW
The redesigned Microtrack II adds even more professional features to the extremely popular original (the best professional level, portable recorder we've encountered). This updated model adds an extended input gain range, analog input limiter, faster file transfer rate, seamless recording of files...
expand review beyond 2GB in size and more to the already robust design making it the best portable option for recording DJ sets and live performances. It's as easy as plugging the mixer output into the inputs and hitting record. Once you are done recording, simplys drag and drop to get your files onto your PC or MAC with the ultra-fast USB 2.0 connection. And for those who like to capture live samples via microphone (noises or vocals), the Microtrack also includes high fidelity mic pre-amps with phantom power (now at 48v), enabling you to use everything from a high-end studio mic or the included mini mic.
USES
- record dj sets
- record vocals
- record audio samples
- listen to files
ADDITIONAL FEATURES
For file management and computer connectivity, the Microtrack is heads above DAT machines (the popular choice for mobile recording). You can record both in WAV (up to 24-bit/96kHz) and MP3 formats (320kbps/48kHz). The Microtrack records onto CompactFlash and Microdrive cards (sold separately), and when plugged into your computer, the Microtrack appears as a hard drive for easy file management. The USB connection also charges the internal lithium battery (power plug also included).
The list of features continues with a large digital screen with an interface similar to the iPod (which can be dimmed for discreet use in dark rooms). There are both RCA and 1/8" outputs for monitoring. Connect the RCA outputs to an amp and use the Microtrack for playback, or plug in the included headphones and use it like an iPod. There are separate left and right level controls with peak indicators, and dedicated buttons for record, hold, play, etc. Extras included: earbuds, t-shaped stereo mini-mic, usb cable, usb power supply, protective carrying case and mic pouch as well as editing software.
OUR OPINION
The MicroTrack is small, easy to use, and most importantly, it seamlessly integrates with your computer. Record your DJ set, save it as an MP3, and publish it on your website; or record a live vocal or sample, save it as a WAV, and use it in your production. And with the version II updates, M-Audio just made a good thing even better. Recommended. -the mgmnt
Enter the world of the wireless MIDI keyboard controller. The MidAir 25 takes the functionality of the popular Oxygen 8 and makes it wireless, and just as easy to use. Featuring 25 full size, velocity sensitive keys, 8 MIDI assignable knobs, mod...
expand review and pitch wheels, assignable sustain button, 3 digit LED display and more - the MidAir 25 gives you the power to control all your soft synths, DAWs, and MIDI instruments with the freedom of wireless design. runs on 9v power supply or standard batteries for true wireless action. Also comes with Ableton Live Lite 5 so you can get to making music right away.
indepth
