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"I recently purchased a Pro-Ject Debut Carbon DC turntable from you, and I am really impressed with the level of detail and customer service I’ve received so far. The instruction folder is a great touch, and your excellent site gave me tons of info and insight into buying and setting up the turntable. Bravo!" - P. Cuffari
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"Turntable lab constantly deliver the best and most current selection of modern music on all formats. It's my first stop for vinyl house and disco music. The reviews are accurate and I can trust the buyers to source quality product. Customer service is second to none and Bret has been nothing short of outstanding in every interaction we've ever had. Proud to be a Labhead." - G. Laurie
"First off I just want to thank you and your team for everything you do! The equipment and products you sell are awesome and exactly what artists like me need. I remember when I first discovered Turntable Lab by searching online for DJ equipment. I was looking all over for different equipment that I needed and when I found TTL I was relieved to find out that you guys basically had everything I was looking for." - C. Arroyo
"My Rane mixer arrived safely yesterday. I just wanted to say thanks to you and your team for your speedy response to my initial enquiry and efficient delivery. Great price and great service, I'll definitely be telling my friends about it." - A. McConnell (Marrickville, Australia)
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It can be hard to be yourself while still being yourself. Somehow Bonobo (nee Simon Green) has managed to carve his own place in the world of electronic music, moving from his roots in downtempo to a sound that is more contemporarily informed. He's always had a penchant for melancholy strings and rounded out basses. In the past he may have mixed these sounds with jazzy breaks, chopped ever so slightly, but The North Borders sees Green taking cues from the post dubstep world. The UK's recent 2 step garage resurgence seems to have made its mark on Green's programming, especially on "Emkay." He's also continued to explore the live instrumentation that was such a focus of Black Sands. However, where that album resolved in a closing statement that drew your focus to the instruments, The North Borders is content to keep things consistently mixed up. Vocals feature more prominently on this album as well. Erykah Badu guests on "Heaven For The Sinner," a track that would not be out of place on one of her own records. And "First Fires" gets Grey Reverend for some slightly Massive Attack influenced vibes. Despite all of the progressions you'll still recognize this as a Bonobo record. The skilled producer has managed to keep updating his technique while maintaining his sonic imprint.
- music label: Ninja Tune 2013
reviewed by Le Haim 04/2014
It can be hard to be yourself while still being yourself. Somehow Bonobo (nee Simon Green) has managed to carve his own place in the world of electronic music, moving from his roots in downtempo to a sound that is more contemporarily informed. He's always had a penchant for melancholy strings and rounded out basses. In the past he may have mixed these sounds with jazzy breaks, chopped ever so slightly, but The North Borders sees Green taking cues from the post dubstep world. The UK's recent 2 step garage resurgence seems to have made its mark on Green's programming, especially on "Emkay." He's also continued to explore the live instrumentation that was such a focus of Black Sands. However, where that album resolved in a closing statement that drew your focus to the instruments, The North Borders is content to keep things consistently mixed up. Vocals feature more prominently on this album as well. Erykah Badu guests on "Heaven For The Sinner," a track that would not be out of place on one of her own records. And "First Fires" gets Grey Reverend for some slightly Massive Attack influenced vibes. Despite all of the progressions you'll still recognize this as a Bonobo record. The skilled producer has managed to keep updating his technique while maintaining his sonic imprint.
- music label: Ninja Tune 2013
reviewed by Le Haim 04/2014
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