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"I recently purchased a Pro-Ject Debut Carbon DC turntable from you, and I am really impressed with the level of detail and customer service I’ve received so far. The instruction folder is a great touch, and your excellent site gave me tons of info and insight into buying and setting up the turntable. Bravo!" - P. Cuffari
"Wow. I just got the turntable. It is amazing. I love the bags, I love the fact that I got it literally less than 24 hours after ordering, I love the cartoon easy set up pics, the stickers, record cleaner brush, and the sound is great for the money. SOOO Happy!! Thanks guys and gals--you just created a customer for life."- R. Montgomery
"I love the Turntable Lab, great service & great products. There's no other store or site I'd rather buy my gear from. I'll sure keep on purchasing my equipment from TTL."- D. Martinez
"It's always nice to feel like you're appreciated, and you guys have done a great job with that."- R. Abeel
"Turntable lab constantly deliver the best and most current selection of modern music on all formats. It's my first stop for vinyl house and disco music. The reviews are accurate and I can trust the buyers to source quality product. Customer service is second to none and Bret has been nothing short of outstanding in every interaction we've ever had. Proud to be a Labhead." - G. Laurie
"First off I just want to thank you and your team for everything you do! The equipment and products you sell are awesome and exactly what artists like me need. I remember when I first discovered Turntable Lab by searching online for DJ equipment. I was looking all over for different equipment that I needed and when I found TTL I was relieved to find out that you guys basically had everything I was looking for." - C. Arroyo
"My Rane mixer arrived safely yesterday. I just wanted to say thanks to you and your team for your speedy response to my initial enquiry and efficient delivery. Great price and great service, I'll definitely be telling my friends about it." - A. McConnell (Marrickville, Australia)
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BURIAL HAS MADE IT HIS LIFE’S WORK TO DOCUMENT THAT SINGULAR VIBE OF WALKING HOME ALONE IN THE RAIN AT THREE IN THE MORNING WITH A WALKMAN. Working almost exclusively for Kode9’s Hyperdub Records, he has submerged video game sounds, garage snares, pirate radio crackle and jungle breaks into a unique concrete stew that is often imitated yet unrivaled. While his last album was released a decade (!) ago this year, William Bevan has blessed us with a steady stream of forward-thinking twelve inches and remixes (enough to fill more than a few long players) to satiate our hunger. On Subtemple, the follow up to last year’s Young Death / Nightmarket and Burial’s first-ever solo 10-inch release, he may have finally distilled his sound to the essence he once described as “finding a body in an elevator shaft”. “Subtemple” consists of the sort of ghostly vocals, muted pads and stairwell ambience that have peppered most of his releases to date, displaced from any rhythm or bassline and stretched into a seven-minute urban collage. On the flip, “Beachfires” is Burial at his most restrained and cinematic, with haunted, dissonant strings swirling over a droning machine hum for nearly ten minutes. While this release may lack the bittersweet warped diva vocals and shuffling wooden 2-step vibes that we adore from him, Burial is still miles ahead of the pack in terms of conjuring serious moods with very few elements. We’ll take what we can get while we continue to wait with bated breath for another full-length. Recommended.
- black 10" vinyl pressing
- music label: Hyperdub 2017
reviewed by peanut dust 06/2017
BURIAL HAS MADE IT HIS LIFE’S WORK TO DOCUMENT THAT SINGULAR VIBE OF WALKING HOME ALONE IN THE RAIN AT THREE IN THE MORNING WITH A WALKMAN. Working almost exclusively for Kode9’s Hyperdub Records, he has submerged video game sounds, garage snares, pirate radio crackle and jungle breaks into a unique concrete stew that is often imitated yet unrivaled. While his last album was released a decade (!) ago this year, William Bevan has blessed us with a steady stream of forward-thinking twelve inches and remixes (enough to fill more than a few long players) to satiate our hunger. On Subtemple, the follow up to last year’s Young Death / Nightmarket and Burial’s first-ever solo 10-inch release, he may have finally distilled his sound to the essence he once described as “finding a body in an elevator shaft”. “Subtemple” consists of the sort of ghostly vocals, muted pads and stairwell ambience that have peppered most of his releases to date, displaced from any rhythm or bassline and stretched into a seven-minute urban collage. On the flip, “Beachfires” is Burial at his most restrained and cinematic, with haunted, dissonant strings swirling over a droning machine hum for nearly ten minutes. While this release may lack the bittersweet warped diva vocals and shuffling wooden 2-step vibes that we adore from him, Burial is still miles ahead of the pack in terms of conjuring serious moods with very few elements. We’ll take what we can get while we continue to wait with bated breath for another full-length. Recommended.
- black 10" vinyl pressing
- music label: Hyperdub 2017
reviewed by peanut dust 06/2017
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