Contact Us
USPS is currently not scanning Media Mail packages during transit, therefore the tracking number will not update with shipped status. Rest assured, your Media Mail package is on its way. Please allow 8 days after receiving this email before contacting customer service. We apologize for any inconvenience this causes.
"I recently purchased a Pro-Ject Debut Carbon DC turntable from you, and I am really impressed with the level of detail and customer service I’ve received so far. The instruction folder is a great touch, and your excellent site gave me tons of info and insight into buying and setting up the turntable. Bravo!" - P. Cuffari
"Wow. I just got the turntable. It is amazing. I love the bags, I love the fact that I got it literally less than 24 hours after ordering, I love the cartoon easy set up pics, the stickers, record cleaner brush, and the sound is great for the money. SOOO Happy!! Thanks guys and gals--you just created a customer for life."- R. Montgomery
"I love the Turntable Lab, great service & great products. There's no other store or site I'd rather buy my gear from. I'll sure keep on purchasing my equipment from TTL."- D. Martinez
"It's always nice to feel like you're appreciated, and you guys have done a great job with that."- R. Abeel
"Turntable lab constantly deliver the best and most current selection of modern music on all formats. It's my first stop for vinyl house and disco music. The reviews are accurate and I can trust the buyers to source quality product. Customer service is second to none and Bret has been nothing short of outstanding in every interaction we've ever had. Proud to be a Labhead." - G. Laurie
"First off I just want to thank you and your team for everything you do! The equipment and products you sell are awesome and exactly what artists like me need. I remember when I first discovered Turntable Lab by searching online for DJ equipment. I was looking all over for different equipment that I needed and when I found TTL I was relieved to find out that you guys basically had everything I was looking for." - C. Arroyo
"My Rane mixer arrived safely yesterday. I just wanted to say thanks to you and your team for your speedy response to my initial enquiry and efficient delivery. Great price and great service, I'll definitely be telling my friends about it." - A. McConnell (Marrickville, Australia)
-
Debut album from Ninja Tune veterans The Cinematic Orchestra. J. Swinscoe's music threads the line between jazz and downtempo with graceful ease. The combination of the two musical forms is an undeniable mixture in the British producer's hands. And when you look under the hood at his process you can see why it works so well. Before going in to record Motion, Swinscoe collected samples of drums, basslines, and melodies from various recordings and artists that inspired and influenced him (spaghetti-western composer Ennio Morricone and Roy Budd's spy film scores, 60s and 70s jazz and soundtrack scores from musicians such as Elvin Jones, Eric Dolphy, Andre Previn, David Rose, and John Morris). From there he worked with a group of musicians, primarily Tom Chant (soprano sax, electric and acoustic piano), Jamie Coleman (trumpet, flugelhorn), Phil France (bass), and T. Daniel Howard (drums) to learn and improvise over the samples. Swinscoe then took recordings from the musicians and sampled and arranged them to create the songs on Motion. The results are lush and expansive, filled with the hallmarks of downtempo, classic soundtracks and the incessant energy of improvised jazz. The arrangements build on repeated grooves creating a sense of anticipation as phrases transform and mutate. There's plenty to dig into with The Cinematic Orchestra and Motion is the perfect jumping off point.
- music label: Ninja Tune 1999 / 2013
reviewed by Michu Meszaros 03/2015
Debut album from Ninja Tune veterans The Cinematic Orchestra. J. Swinscoe's music threads the line between jazz and downtempo with graceful ease. The combination of the two musical forms is an undeniable mixture in the British producer's hands. And when you look under the hood at his process you can see why it works so well. Before going in to record Motion, Swinscoe collected samples of drums, basslines, and melodies from various recordings and artists that inspired and influenced him (spaghetti-western composer Ennio Morricone and Roy Budd's spy film scores, 60s and 70s jazz and soundtrack scores from musicians such as Elvin Jones, Eric Dolphy, Andre Previn, David Rose, and John Morris). From there he worked with a group of musicians, primarily Tom Chant (soprano sax, electric and acoustic piano), Jamie Coleman (trumpet, flugelhorn), Phil France (bass), and T. Daniel Howard (drums) to learn and improvise over the samples. Swinscoe then took recordings from the musicians and sampled and arranged them to create the songs on Motion. The results are lush and expansive, filled with the hallmarks of downtempo, classic soundtracks and the incessant energy of improvised jazz. The arrangements build on repeated grooves creating a sense of anticipation as phrases transform and mutate. There's plenty to dig into with The Cinematic Orchestra and Motion is the perfect jumping off point.
- music label: Ninja Tune 1999 / 2013
reviewed by Michu Meszaros 03/2015
Labheads Also Viewed
BLK FRI GEAR SPECIALS
🔴 over 100 items on sale shop all
