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"I recently purchased a Pro-Ject Debut Carbon DC turntable from you, and I am really impressed with the level of detail and customer service I’ve received so far. The instruction folder is a great touch, and your excellent site gave me tons of info and insight into buying and setting up the turntable. Bravo!" - P. Cuffari
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"Turntable lab constantly deliver the best and most current selection of modern music on all formats. It's my first stop for vinyl house and disco music. The reviews are accurate and I can trust the buyers to source quality product. Customer service is second to none and Bret has been nothing short of outstanding in every interaction we've ever had. Proud to be a Labhead." - G. Laurie
"First off I just want to thank you and your team for everything you do! The equipment and products you sell are awesome and exactly what artists like me need. I remember when I first discovered Turntable Lab by searching online for DJ equipment. I was looking all over for different equipment that I needed and when I found TTL I was relieved to find out that you guys basically had everything I was looking for." - C. Arroyo
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The 10th studio album from Liz Harris’ Grouper finds her at her most vulnerable, stripping away the reverb and tape hiss that permeated previous releases, baring only her gentle falsetto coupled with a delicately plucked piano. It was recorded during a residency in a coastal town on the tip of Portugal with a minimal setup: portable 4-track, Sony stereo mic and upright piano. “When I wasnʼt recording songs I was hiking several miles to the beach. The path wound through the ruins of several old estates and a small village. The album is a document. A nod to that daily walk. Failed structures. Living in the remains of love. I hope that the album bears some resemblance to the place that I was in.” If Dragging A Dead Deer Up A Hill is a smoldering campfire on a chilly Oregon beach, Ruins is that feeling of seeking refuge on a porch two feet removed from a rainstorm on a hot summer night (at one point, you can actually hear the beep from a microwave in the next room coming back on after a blackout). The substitution of Liz Harris’ tried-and-true acoustic guitar for piano bathes her vocals in a different kind of light, and they’re soft and cottony compared to the thud of the ivory keys. “Holding,” “Clearing” and “Lighthouse” are some of her most devastating performances to date, and without the reverb and tape noise, she’s never felt closer… it’s as if you’re right there sitting on the floor while she plays. The album is punctuated by a few lush instrumental passages (“Labyrinth,” “Holoferness,” “Made Of Air”) that really let the gravity of these songs sink in. Black vinyl pressing released by Kranky, includes a sticker featuring a piece from Harris' Double Object series of drawings. Recommended.
- black vinyl pressing
- includes square sticker drawn by Liz Harris
- music label: Kranky 2014
reviewed by edward james almost 05/2018
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The 10th studio album from Liz Harris’ Grouper finds her at her most vulnerable, stripping away the reverb and tape hiss that permeated previous releases, baring only her gentle falsetto coupled with a delicately plucked piano. It was recorded during a residency in a coastal town on the tip of Portugal with a minimal setup: portable 4-track, Sony stereo mic and upright piano. “When I wasnʼt recording songs I was hiking several miles to the beach. The path wound through the ruins of several old estates and a small village. The album is a document. A nod to that daily walk. Failed structures. Living in the remains of love. I hope that the album bears some resemblance to the place that I was in.” If Dragging A Dead Deer Up A Hill is a smoldering campfire on a chilly Oregon beach, Ruins is that feeling of seeking refuge on a porch two feet removed from a rainstorm on a hot summer night (at one point, you can actually hear the beep from a microwave in the next room coming back on after a blackout). The substitution of Liz Harris’ tried-and-true acoustic guitar for piano bathes her vocals in a different kind of light, and they’re soft and cottony compared to the thud of the ivory keys. “Holding,” “Clearing” and “Lighthouse” are some of her most devastating performances to date, and without the reverb and tape noise, she’s never felt closer… it’s as if you’re right there sitting on the floor while she plays. The album is punctuated by a few lush instrumental passages (“Labyrinth,” “Holoferness,” “Made Of Air”) that really let the gravity of these songs sink in. Black vinyl pressing released by Kranky, includes a sticker featuring a piece from Harris' Double Object series of drawings. Recommended.
- black vinyl pressing
- includes square sticker drawn by Liz Harris
- music label: Kranky 2014
reviewed by edward james almost 05/2018
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