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"I recently purchased a Pro-Ject Debut Carbon DC turntable from you, and I am really impressed with the level of detail and customer service I’ve received so far. The instruction folder is a great touch, and your excellent site gave me tons of info and insight into buying and setting up the turntable. Bravo!" - P. Cuffari
"Wow. I just got the turntable. It is amazing. I love the bags, I love the fact that I got it literally less than 24 hours after ordering, I love the cartoon easy set up pics, the stickers, record cleaner brush, and the sound is great for the money. SOOO Happy!! Thanks guys and gals--you just created a customer for life."- R. Montgomery
"I love the Turntable Lab, great service & great products. There's no other store or site I'd rather buy my gear from. I'll sure keep on purchasing my equipment from TTL."- D. Martinez
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"Turntable lab constantly deliver the best and most current selection of modern music on all formats. It's my first stop for vinyl house and disco music. The reviews are accurate and I can trust the buyers to source quality product. Customer service is second to none and Bret has been nothing short of outstanding in every interaction we've ever had. Proud to be a Labhead." - G. Laurie
"First off I just want to thank you and your team for everything you do! The equipment and products you sell are awesome and exactly what artists like me need. I remember when I first discovered Turntable Lab by searching online for DJ equipment. I was looking all over for different equipment that I needed and when I found TTL I was relieved to find out that you guys basically had everything I was looking for." - C. Arroyo
"My Rane mixer arrived safely yesterday. I just wanted to say thanks to you and your team for your speedy response to my initial enquiry and efficient delivery. Great price and great service, I'll definitely be telling my friends about it." - A. McConnell (Marrickville, Australia)
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Not much is known about John T. Gast, but we first learned of him after spotting his name buried in the credits for Hype Williams’ (Dean Blunt & Inga Copeland) Black Is Beautiful LP for Hyperdub. Gast has continued to work with the two elusive producers since they parted ways shortly after Black Is Beautiful, and has amassed a small but impressive ouvre of his own, working with some of the UK’s most exciting labels. In the time since Excerpts, his 2015 debut full-length for Planet Mu, he’s released one-off plates for Blackest Ever Black and Apron, released a limited CD-R of woodland casiotone and dungeon riddims as Young Druid, and linked back up with Copeland for “Sisters Of Control,” a masterclass in sultry dub. While Excerpts served as a thorough survey of Gast’s many styles and moods, INNA BABALON doubles down on haunted, cynical, end-of-world vibes filtered through clouds of zoot smoke and celtic goth mysticism. We’re amazed by Gast’s ability to wrangle so many disparate modes and flavors into a sound that is still undeniably, unmistakably UK - the cold steel mill sounds of Coil transmitted via Rinse FM circa 2006 (“Babl Callin”), provincial English folk vibes bashed against militant digidub à la Jah Shaka (“Jah Guidance”), Aba-Shanti-I bunning with SAW-era Richard D. James (“Celtfunk”); executed with badman precision and obsessive attention to detail. Originally produced in a run of 100 cassettes in 2016, the album is given renewed life with a much-deserved double vinyl pressing courtesy of Milan-based Haunter Records. Recommended.
- double vinyl pressing
- limited edition
- music label: Haunter Records 2017
reviewed by hannibal chew 12/2017
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Not much is known about John T. Gast, but we first learned of him after spotting his name buried in the credits for Hype Williams’ (Dean Blunt & Inga Copeland) Black Is Beautiful LP for Hyperdub. Gast has continued to work with the two elusive producers since they parted ways shortly after Black Is Beautiful, and has amassed a small but impressive ouvre of his own, working with some of the UK’s most exciting labels. In the time since Excerpts, his 2015 debut full-length for Planet Mu, he’s released one-off plates for Blackest Ever Black and Apron, released a limited CD-R of woodland casiotone and dungeon riddims as Young Druid, and linked back up with Copeland for “Sisters Of Control,” a masterclass in sultry dub. While Excerpts served as a thorough survey of Gast’s many styles and moods, INNA BABALON doubles down on haunted, cynical, end-of-world vibes filtered through clouds of zoot smoke and celtic goth mysticism. We’re amazed by Gast’s ability to wrangle so many disparate modes and flavors into a sound that is still undeniably, unmistakably UK - the cold steel mill sounds of Coil transmitted via Rinse FM circa 2006 (“Babl Callin”), provincial English folk vibes bashed against militant digidub à la Jah Shaka (“Jah Guidance”), Aba-Shanti-I bunning with SAW-era Richard D. James (“Celtfunk”); executed with badman precision and obsessive attention to detail. Originally produced in a run of 100 cassettes in 2016, the album is given renewed life with a much-deserved double vinyl pressing courtesy of Milan-based Haunter Records. Recommended.
- double vinyl pressing
- limited edition
- music label: Haunter Records 2017
reviewed by hannibal chew 12/2017
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