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"I recently purchased a Pro-Ject Debut Carbon DC turntable from you, and I am really impressed with the level of detail and customer service I’ve received so far. The instruction folder is a great touch, and your excellent site gave me tons of info and insight into buying and setting up the turntable. Bravo!" - P. Cuffari
"Wow. I just got the turntable. It is amazing. I love the bags, I love the fact that I got it literally less than 24 hours after ordering, I love the cartoon easy set up pics, the stickers, record cleaner brush, and the sound is great for the money. SOOO Happy!! Thanks guys and gals--you just created a customer for life."- R. Montgomery
"I love the Turntable Lab, great service & great products. There's no other store or site I'd rather buy my gear from. I'll sure keep on purchasing my equipment from TTL."- D. Martinez
"It's always nice to feel like you're appreciated, and you guys have done a great job with that."- R. Abeel
"Turntable lab constantly deliver the best and most current selection of modern music on all formats. It's my first stop for vinyl house and disco music. The reviews are accurate and I can trust the buyers to source quality product. Customer service is second to none and Bret has been nothing short of outstanding in every interaction we've ever had. Proud to be a Labhead." - G. Laurie
"First off I just want to thank you and your team for everything you do! The equipment and products you sell are awesome and exactly what artists like me need. I remember when I first discovered Turntable Lab by searching online for DJ equipment. I was looking all over for different equipment that I needed and when I found TTL I was relieved to find out that you guys basically had everything I was looking for." - C. Arroyo
"My Rane mixer arrived safely yesterday. I just wanted to say thanks to you and your team for your speedy response to my initial enquiry and efficient delivery. Great price and great service, I'll definitely be telling my friends about it." - A. McConnell (Marrickville, Australia)
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“The way I feel sometimes its too hard to sit still / things are so passionate, times are so real” - can’t think of a more important time to repress this record than 2017. Mos Def sets himself apart from the rest of the post-Rawkus set by constantly tearing up the rulebook and thinking outside of the box, tapping into blues rock on 2004’s The New Danger and using Juvenile’s “Nolia Clap” as a vehicle for a spine-tingling indictment of the Bush Administration on 2006’s True Magic. For his fourth (and at time of writing, most recent) solo full-length, Mos reaches into the underground and scoops up cult Stones Throw beatsmiths Madlib, Oh No and Georgia Anne Muldrow. In 2017, this sort of cross-pollination is commonplace, but in 2009, Mos was a movie star, and him tapping Madlib for beats was a huge deal (seven whole years before ‘Lib had a credit on a Kanye record). The Neptunes’ contribution (“Twilite Speedball,” rumored to be a rare Chad Hugo solo production) sounds right at home next to Madlib’s beats for “Auditorium” (feat. Slick Rick) and “Wahid,” two of the album’s toughest records. Other highlights include “Pretty Dancer,” “Casa Bey” and the Dilla-produced “History” featuring Black Star homie Talib Kweli. Mos leaps from raw spit to neo-soul croon (“Roses”) and bodega serenade (“No Hay Nada Mas”) as effortlessly as the man on the sleeve leaps between two buildings (a still from Charles Burnett’s 1978 film Killer of Sheep). With original copies going for up to $400 (yes, really), this double vinyl repress is paramount (“and it's very necessary, get it clearly”). Recommended.
- double vinyl pressing
- music label: Downtown Music 2009 / 2017
reviewed by hannibal chew 10/2017
“The way I feel sometimes its too hard to sit still / things are so passionate, times are so real” - can’t think of a more important time to repress this record than 2017. Mos Def sets himself apart from the rest of the post-Rawkus set by constantly tearing up the rulebook and thinking outside of the box, tapping into blues rock on 2004’s The New Danger and using Juvenile’s “Nolia Clap” as a vehicle for a spine-tingling indictment of the Bush Administration on 2006’s True Magic. For his fourth (and at time of writing, most recent) solo full-length, Mos reaches into the underground and scoops up cult Stones Throw beatsmiths Madlib, Oh No and Georgia Anne Muldrow. In 2017, this sort of cross-pollination is commonplace, but in 2009, Mos was a movie star, and him tapping Madlib for beats was a huge deal (seven whole years before ‘Lib had a credit on a Kanye record). The Neptunes’ contribution (“Twilite Speedball,” rumored to be a rare Chad Hugo solo production) sounds right at home next to Madlib’s beats for “Auditorium” (feat. Slick Rick) and “Wahid,” two of the album’s toughest records. Other highlights include “Pretty Dancer,” “Casa Bey” and the Dilla-produced “History” featuring Black Star homie Talib Kweli. Mos leaps from raw spit to neo-soul croon (“Roses”) and bodega serenade (“No Hay Nada Mas”) as effortlessly as the man on the sleeve leaps between two buildings (a still from Charles Burnett’s 1978 film Killer of Sheep). With original copies going for up to $400 (yes, really), this double vinyl repress is paramount (“and it's very necessary, get it clearly”). Recommended.
- double vinyl pressing
- music label: Downtown Music 2009 / 2017
reviewed by hannibal chew 10/2017
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