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"I recently purchased a Pro-Ject Debut Carbon DC turntable from you, and I am really impressed with the level of detail and customer service I’ve received so far. The instruction folder is a great touch, and your excellent site gave me tons of info and insight into buying and setting up the turntable. Bravo!" - P. Cuffari
"Wow. I just got the turntable. It is amazing. I love the bags, I love the fact that I got it literally less than 24 hours after ordering, I love the cartoon easy set up pics, the stickers, record cleaner brush, and the sound is great for the money. SOOO Happy!! Thanks guys and gals--you just created a customer for life."- R. Montgomery
"I love the Turntable Lab, great service & great products. There's no other store or site I'd rather buy my gear from. I'll sure keep on purchasing my equipment from TTL."- D. Martinez
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"Turntable lab constantly deliver the best and most current selection of modern music on all formats. It's my first stop for vinyl house and disco music. The reviews are accurate and I can trust the buyers to source quality product. Customer service is second to none and Bret has been nothing short of outstanding in every interaction we've ever had. Proud to be a Labhead." - G. Laurie
"First off I just want to thank you and your team for everything you do! The equipment and products you sell are awesome and exactly what artists like me need. I remember when I first discovered Turntable Lab by searching online for DJ equipment. I was looking all over for different equipment that I needed and when I found TTL I was relieved to find out that you guys basically had everything I was looking for." - C. Arroyo
"My Rane mixer arrived safely yesterday. I just wanted to say thanks to you and your team for your speedy response to my initial enquiry and efficient delivery. Great price and great service, I'll definitely be telling my friends about it." - A. McConnell (Marrickville, Australia)
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DANIEL LOPATIN'S LAST FEW ALBUMS AS ONEOHTRIX POINT NEVER HAVE GOTTEN PROGRESSIVELY MORE SCHLOCKY WITH EACH RELEASE, but each record pushes familiar tropes further into uncharted territory, ranging from hyperactive new age (R Plus Seven) to candy rave nu-metal (Garden Of Delete). Returnal is Lopatin’s breakthrough, and the last OPN record before the project fully departed from straight up synth music (albeit with an east coast noise sensibility). After several CD-R & cassette releases on small east coast D.I.Y. labels, Lopatin caught the attention of Editions Mego, the highly respected Austrian experimental label run by Peter Rehberg. Returnal opens with “Nil Admirari”, 5 minutes of harsh noise which Lopatin describes as “like in a film, where the first shot is exposition that gives you a sense of location, and then it goes into the character world”. The sequence that follows (“Describing Bodies” and “Stress Waves”) is pure Juno-60 ethereal bliss. “Preyouandi” is a preview of the frenetic sample collages Lopatin would explore on Replica, his 2011 follow up to Returnal. But the album’s highlight is the title track: a krauty, vocoder-led piece which caught the attention of ANOHNI, who later covered it (Lopatin returned the favor by co-producing ANOHNI’s 2016 album Hopelessness). Recommended.
- black vinyl pressing
- gatefold sleeve
- music label: Editions Mego 2010
reviewed by peanut dust 02/2017
DANIEL LOPATIN'S LAST FEW ALBUMS AS ONEOHTRIX POINT NEVER HAVE GOTTEN PROGRESSIVELY MORE SCHLOCKY WITH EACH RELEASE, but each record pushes familiar tropes further into uncharted territory, ranging from hyperactive new age (R Plus Seven) to candy rave nu-metal (Garden Of Delete). Returnal is Lopatin’s breakthrough, and the last OPN record before the project fully departed from straight up synth music (albeit with an east coast noise sensibility). After several CD-R & cassette releases on small east coast D.I.Y. labels, Lopatin caught the attention of Editions Mego, the highly respected Austrian experimental label run by Peter Rehberg. Returnal opens with “Nil Admirari”, 5 minutes of harsh noise which Lopatin describes as “like in a film, where the first shot is exposition that gives you a sense of location, and then it goes into the character world”. The sequence that follows (“Describing Bodies” and “Stress Waves”) is pure Juno-60 ethereal bliss. “Preyouandi” is a preview of the frenetic sample collages Lopatin would explore on Replica, his 2011 follow up to Returnal. But the album’s highlight is the title track: a krauty, vocoder-led piece which caught the attention of ANOHNI, who later covered it (Lopatin returned the favor by co-producing ANOHNI’s 2016 album Hopelessness). Recommended.
- black vinyl pressing
- gatefold sleeve
- music label: Editions Mego 2010
reviewed by peanut dust 02/2017
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