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"I recently purchased a Pro-Ject Debut Carbon DC turntable from you, and I am really impressed with the level of detail and customer service I’ve received so far. The instruction folder is a great touch, and your excellent site gave me tons of info and insight into buying and setting up the turntable. Bravo!" - P. Cuffari
"Wow. I just got the turntable. It is amazing. I love the bags, I love the fact that I got it literally less than 24 hours after ordering, I love the cartoon easy set up pics, the stickers, record cleaner brush, and the sound is great for the money. SOOO Happy!! Thanks guys and gals--you just created a customer for life."- R. Montgomery
"I love the Turntable Lab, great service & great products. There's no other store or site I'd rather buy my gear from. I'll sure keep on purchasing my equipment from TTL."- D. Martinez
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"Turntable lab constantly deliver the best and most current selection of modern music on all formats. It's my first stop for vinyl house and disco music. The reviews are accurate and I can trust the buyers to source quality product. Customer service is second to none and Bret has been nothing short of outstanding in every interaction we've ever had. Proud to be a Labhead." - G. Laurie
"First off I just want to thank you and your team for everything you do! The equipment and products you sell are awesome and exactly what artists like me need. I remember when I first discovered Turntable Lab by searching online for DJ equipment. I was looking all over for different equipment that I needed and when I found TTL I was relieved to find out that you guys basically had everything I was looking for." - C. Arroyo
"My Rane mixer arrived safely yesterday. I just wanted to say thanks to you and your team for your speedy response to my initial enquiry and efficient delivery. Great price and great service, I'll definitely be telling my friends about it." - A. McConnell (Marrickville, Australia)
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With The Shape of Punk to Come, Refused aimed to challenge existing punk and hardcore sensibilities. The album's title references Ornette Coleman's 1959 avant-garde jazz album The Shape of Jazz to Come and they throw in allusions to Allen Ginsberg and NY hardcore group Born Against, as well. Refused took to task the pop-punk of the day, eschewing the tried and true tropes of contemporaries like Green Day and Blink 182. With experimental combinations of hardcore, prog-punk, techno, and even jazz sounds they redefined what punk was supposed to sound like. While all of the aforementioned sounds are evident on the record, Refused ended up making a simply great hardcore record. Their trademark tension and release is all over the album. Vaguely jazz influenced intros are decimated by explosions of distortion. Electronic excursions are interrupted by the subtly ominous cymbal tap of drummer David Sandstr__m. A shimmering sign of the aural assault that is about to come. There's a generation of At The Drive In emo kids that owes their life to this record. Unfortunately for the fans, all of this experimentation led to the breakup of the band only a few months after its release.
- Music Label: Epitaph 2012
reviewed by Michu Meszaros 04/2012
With The Shape of Punk to Come, Refused aimed to challenge existing punk and hardcore sensibilities. The album's title references Ornette Coleman's 1959 avant-garde jazz album The Shape of Jazz to Come and they throw in allusions to Allen Ginsberg and NY hardcore group Born Against, as well. Refused took to task the pop-punk of the day, eschewing the tried and true tropes of contemporaries like Green Day and Blink 182. With experimental combinations of hardcore, prog-punk, techno, and even jazz sounds they redefined what punk was supposed to sound like. While all of the aforementioned sounds are evident on the record, Refused ended up making a simply great hardcore record. Their trademark tension and release is all over the album. Vaguely jazz influenced intros are decimated by explosions of distortion. Electronic excursions are interrupted by the subtly ominous cymbal tap of drummer David Sandstr__m. A shimmering sign of the aural assault that is about to come. There's a generation of At The Drive In emo kids that owes their life to this record. Unfortunately for the fans, all of this experimentation led to the breakup of the band only a few months after its release.
- Music Label: Epitaph 2012
reviewed by Michu Meszaros 04/2012
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