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"I recently purchased a Pro-Ject Debut Carbon DC turntable from you, and I am really impressed with the level of detail and customer service I’ve received so far. The instruction folder is a great touch, and your excellent site gave me tons of info and insight into buying and setting up the turntable. Bravo!" - P. Cuffari
"Wow. I just got the turntable. It is amazing. I love the bags, I love the fact that I got it literally less than 24 hours after ordering, I love the cartoon easy set up pics, the stickers, record cleaner brush, and the sound is great for the money. SOOO Happy!! Thanks guys and gals--you just created a customer for life."- R. Montgomery
"I love the Turntable Lab, great service & great products. There's no other store or site I'd rather buy my gear from. I'll sure keep on purchasing my equipment from TTL."- D. Martinez
"It's always nice to feel like you're appreciated, and you guys have done a great job with that."- R. Abeel
"Turntable lab constantly deliver the best and most current selection of modern music on all formats. It's my first stop for vinyl house and disco music. The reviews are accurate and I can trust the buyers to source quality product. Customer service is second to none and Bret has been nothing short of outstanding in every interaction we've ever had. Proud to be a Labhead." - G. Laurie
"First off I just want to thank you and your team for everything you do! The equipment and products you sell are awesome and exactly what artists like me need. I remember when I first discovered Turntable Lab by searching online for DJ equipment. I was looking all over for different equipment that I needed and when I found TTL I was relieved to find out that you guys basically had everything I was looking for." - C. Arroyo
"My Rane mixer arrived safely yesterday. I just wanted to say thanks to you and your team for your speedy response to my initial enquiry and efficient delivery. Great price and great service, I'll definitely be telling my friends about it." - A. McConnell (Marrickville, Australia)
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180g PRESSING OF SIOUXSIE AND THE BANSHEES’ DEBUT ALBUM! The Scream was recorded quickly and efficiently but has since become regarded as a landmark post-punk album and a cornerstone of early goth. The sleeve is uncharacteristically vivid and colorful... A little more about the album cover, cuz that’s why you’re here, right? Photographer Paul Wakefield executed the photoshoot, but the idea was all Siouxsie’s. "The idea was to shoot disquieting and unnerving images underwater in a swimming pool – you can’t scream underwater. I wanted to be able to completely control the lighting, and so an indoor pool was the only option. I scouted quite a few pools, but when I saw this pool in the YMCA in Central London, which was dark blue tiled with light blue lane stripes instead of the normal reverse colors, I knew it was the ideal location. I wanted to give it an eerie underwater night-time feel, and this setting was perfect. I used school kids as models and they pretty well ran riot.” For the uninitiated, check out “Mirage,” “Jigsaw Feeling,” “Nicotine Stain” and the Beatles cover “Helter Skelter.”
- 180g vinyl pressing
- mastered and cut half-speed at Abbey Road Studios, London
- music label: Polydor 1978 / 2018
reviewed by frau farbissina 01/2018
180g PRESSING OF SIOUXSIE AND THE BANSHEES’ DEBUT ALBUM! The Scream was recorded quickly and efficiently but has since become regarded as a landmark post-punk album and a cornerstone of early goth. The sleeve is uncharacteristically vivid and colorful... A little more about the album cover, cuz that’s why you’re here, right? Photographer Paul Wakefield executed the photoshoot, but the idea was all Siouxsie’s. "The idea was to shoot disquieting and unnerving images underwater in a swimming pool – you can’t scream underwater. I wanted to be able to completely control the lighting, and so an indoor pool was the only option. I scouted quite a few pools, but when I saw this pool in the YMCA in Central London, which was dark blue tiled with light blue lane stripes instead of the normal reverse colors, I knew it was the ideal location. I wanted to give it an eerie underwater night-time feel, and this setting was perfect. I used school kids as models and they pretty well ran riot.” For the uninitiated, check out “Mirage,” “Jigsaw Feeling,” “Nicotine Stain” and the Beatles cover “Helter Skelter.”
- 180g vinyl pressing
- mastered and cut half-speed at Abbey Road Studios, London
- music label: Polydor 1978 / 2018
reviewed by frau farbissina 01/2018
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