"Nathan Jenkins' discography opened in 2007 with Pet Sounds: In The Key Of Dee, before pivoting in a more electronic direction via Get Familiar and Young Heartache. From the sampledelia of 2011's Too Right, the new wave and rave of Say Arr Ee to the Robert Wyatt-influenced Love Me Oh Please Love Me, he’s mapped a deliberately peculiar path. Nathan’s is a wilfully weird Pop, showcased in 2016 on his album, Loop The Loop. Wayward, but woven with hooks that come out of nowhere. Lyrical, often beautiful, solos on violin, oboe, and desiccated guitars. Songs that demonstrate a nose-thumbing playfulness, a refusal to sit still. Where there’s always the urge to interrupt a carnival beat with a burst of galloping horse hooves. Or juxtapose ambient chords with a kazoo. Following a decade of output with some of electronic music’s most revered labels, not to mention also being credited for production work with artists ranging from Westerman to David Byrne, Bullion has found a unique position within electronic music. Heaven Is Over, is a wondrous display of how his laid back production style manages to tap into something far deeper. Full of yearning and richness, there’s also a meditative quality through its repetitive ideas. Although, in classic Bullion style, it’s as hard to pin down as ever, and serves as a reminder of the distinctive world the producer has carved out for himself." - Jagjaguwar
- clear colored vinyl
- housed in die-cut jacket
- limited edition
- music label: Jagjaguwar 2020