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"I recently purchased a Pro-Ject Debut Carbon DC turntable from you, and I am really impressed with the level of detail and customer service I’ve received so far. The instruction folder is a great touch, and your excellent site gave me tons of info and insight into buying and setting up the turntable. Bravo!" - P. Cuffari
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"Turntable lab constantly deliver the best and most current selection of modern music on all formats. It's my first stop for vinyl house and disco music. The reviews are accurate and I can trust the buyers to source quality product. Customer service is second to none and Bret has been nothing short of outstanding in every interaction we've ever had. Proud to be a Labhead." - G. Laurie
"First off I just want to thank you and your team for everything you do! The equipment and products you sell are awesome and exactly what artists like me need. I remember when I first discovered Turntable Lab by searching online for DJ equipment. I was looking all over for different equipment that I needed and when I found TTL I was relieved to find out that you guys basically had everything I was looking for." - C. Arroyo
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Thirteenth studio album from legendary David Bowie. Lodger doesn’t contain any of the the brooding Eno instrumentals or krautrock grooves that made Low and Heroes such stunning works, but retains that same deconstructed cold war dread (hence its inclusion in the Berlin trilogy despite being recorded in Switzerland). It’s the sound of Bowie being lured back towards more accessible songwriting, but listening to “Yassassin,” it’s evident straight away that the playful Philly soul impressions of Young Americans are dead and gone. Bowie takes all the mechanic friction bottled up from his self-imposed Schöneberg squalor and channels it into pop; “DJ” and “Boys Keep Swinging” were actually pretty successful singles, and they’re up there with some of his most accessible songs of the 70s. But the weirder moments remain the most potent: “Fantastic Voyage,” “Move On,” and above all else, “African Night Flight.” It’s the most underrated of the trilogy, but still massively influential (Oasis named “Don’t Look Back In Anger” after Bowie’s “Look Back In Anger”). Remastered 180g pressing housed in glossy replica gatefold jacket with lyric insert.
- 180g vinyl pressing
- remastered sound
- housed in glossy replica gatefold jacket
- includes printed lyric insert
- limited edition
- music label: Parlophone 2018
reviewed by frau farbissina 03/2018
Thirteenth studio album from legendary David Bowie. Lodger doesn’t contain any of the the brooding Eno instrumentals or krautrock grooves that made Low and Heroes such stunning works, but retains that same deconstructed cold war dread (hence its inclusion in the Berlin trilogy despite being recorded in Switzerland). It’s the sound of Bowie being lured back towards more accessible songwriting, but listening to “Yassassin,” it’s evident straight away that the playful Philly soul impressions of Young Americans are dead and gone. Bowie takes all the mechanic friction bottled up from his self-imposed Schöneberg squalor and channels it into pop; “DJ” and “Boys Keep Swinging” were actually pretty successful singles, and they’re up there with some of his most accessible songs of the 70s. But the weirder moments remain the most potent: “Fantastic Voyage,” “Move On,” and above all else, “African Night Flight.” It’s the most underrated of the trilogy, but still massively influential (Oasis named “Don’t Look Back In Anger” after Bowie’s “Look Back In Anger”). Remastered 180g pressing housed in glossy replica gatefold jacket with lyric insert.
- 180g vinyl pressing
- remastered sound
- housed in glossy replica gatefold jacket
- includes printed lyric insert
- limited edition
- music label: Parlophone 2018
reviewed by frau farbissina 03/2018
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