"D'Angelo lost his shit over it. Aaliyah's third favorite track of all time is on it. David Bowie rocked up with it to a TV interview, declaring it 'the most exciting sound of contemporary soul music.' In 1996, Lewis Taylor released his self-titled masterpiece. An effortless blend of neo-soul, sophisticated pop, smart grooves and laid-back white funk, it enjoyed rapturous reviews from critics and music legends alike. But the album never managed to make an impact and given what was likely a token vinyl release at the time, the original records have long since been near-impossible to find. Lewis Taylor's impeccable influences created a dazzling sonic palette: the LP as a whole suggests the visionary brilliance of Prince; the vocal stylings evoke the yearning power of Marvin Gaye; the effortless guitar playing shares the virtuosity of Jimi Hendrix; the haunting tones conjure Tricky; the innovative production and engineering invite comparisons to studio mavericks like Todd Rundgren and Brian Eno; the multi-layered, complex harmonies flash on Pet Sounds-era Brian Wilson. Sabina Smyth gets an executive producer credit on the original sleeve, but in fact she worked with Lewis on the production and arrangements, did a lot of the backing vocals and she co-wrote 'Track', 'Song', 'Lucky', and 'Damn' with Lewis. The music is predominantly guitar-led and a mixture of organs and synths, live drum loops and electronic percussion make for a sort of modern soul backing orchestra. On the surface the album is gorgeously laidback, but beneath the lush, sometimes slick, production there's a murkiness in the seriously gritty funk/hip-hop instrumentation. This sprawling psychedelic soul opus really is a forgotten should-be-classic. Cut by Pete Norman and pressed at Record Industry." - Lewis Taylor

• 1996 psychedelic neo-soul rarity beloved by D'Angelo, Aaliyah and David Bowie
• black double vinyl pressing
• first time on vinyl since 1996; first time on double vinyl
• printed inner sleeves
• music label: Be With Records 2021