Ascenseur Pour L'Echafaud Vinyl 3x10" LP
Contact Us
USPS is currently not scanning Media Mail packages during transit, therefore the tracking number will not update with shipped status. Rest assured, your Media Mail package is on its way. Please allow 8 days after receiving this email before contacting customer service. We apologize for any inconvenience this causes.
"I recently purchased a Pro-Ject Debut Carbon DC turntable from you, and I am really impressed with the level of detail and customer service I’ve received so far. The instruction folder is a great touch, and your excellent site gave me tons of info and insight into buying and setting up the turntable. Bravo!" - P. Cuffari
"Wow. I just got the turntable. It is amazing. I love the bags, I love the fact that I got it literally less than 24 hours after ordering, I love the cartoon easy set up pics, the stickers, record cleaner brush, and the sound is great for the money. SOOO Happy!! Thanks guys and gals--you just created a customer for life."- R. Montgomery
"I love the Turntable Lab, great service & great products. There's no other store or site I'd rather buy my gear from. I'll sure keep on purchasing my equipment from TTL."- D. Martinez
"It's always nice to feel like you're appreciated, and you guys have done a great job with that."- R. Abeel
"Turntable lab constantly deliver the best and most current selection of modern music on all formats. It's my first stop for vinyl house and disco music. The reviews are accurate and I can trust the buyers to source quality product. Customer service is second to none and Bret has been nothing short of outstanding in every interaction we've ever had. Proud to be a Labhead." - G. Laurie
"First off I just want to thank you and your team for everything you do! The equipment and products you sell are awesome and exactly what artists like me need. I remember when I first discovered Turntable Lab by searching online for DJ equipment. I was looking all over for different equipment that I needed and when I found TTL I was relieved to find out that you guys basically had everything I was looking for." - C. Arroyo
"My Rane mixer arrived safely yesterday. I just wanted to say thanks to you and your team for your speedy response to my initial enquiry and efficient delivery. Great price and great service, I'll definitely be telling my friends about it." - A. McConnell (Marrickville, Australia)
-
While in Paris in November of 1957, Miles Davis was introduced to filmmaker Louis Malle and his jazz-loving assistant Jean-Paul Rappeneau, who showed Miles a private screening of a film they were working on, and subsequently persuaded him to provide the score. The composer sketched out some rudimentary harmonic sequences in his hotel room, briefly explained the plot to his sidemen (René Urtreger on piano, Kenny Clarke on drums, Barney Wilen on tenor, Pierre Michelot on bass) and headed to the studio where they improvised the entire session without any composed theme, with clips from the film projected on the wall in front of them. The resulting soundtrack to Ascenseur Pour L'Échafaud (translation: "Elevator To The Gallows"… not so romantic-sounding anymore is it?) is, as you’d expect, pure Miles brilliance. Working under the precept of a soundtrack gave Miles the confidence to go down a dozen different rabbit holes chasing different iterations of a singular theme, like the solo bass & drums on “Visite Du Vigile,” or the stalking austerity of piano and trumpet couplet “Julien Dans L’Ascenseur.” Be sure to check out swanky opener “Générique,” the confidently frenetic “Sur L'Autoroute” and the cool-as-shit “Au Bar Du Petit Bac.” This is the first vinyl edition comprising both the original soundtrack and the complete session outtakes, remastered from the original analog tapes and pressed on three heavyweight 10-inch discs. The three-panel gatefold sports a lengthy essay from Miles biographer Franck Bergerot and a pretty awesome photo of the prince of darkness himself. Recommended.
- 60th anniversary edition expanded w/ complete session takes + one previously unreleased track
- triple 10" vinyl pressing
- remastered from the original analog tapes at Abbey Road Studios
- housed in deluxe triple panel gatefold sleeve w/ extensive liner notes by Franck Bergerot
- featuring Miles Davis (t), Barney Wilen (t. sax), René Urtreger (p), Pierre Michelot (b), Kenny Clarke (d)
- original release year: 1958
- music label: Fontana 2026
reviewed by nick nightingale 07/2018
While in Paris in November of 1957, Miles Davis was introduced to filmmaker Louis Malle and his jazz-loving assistant Jean-Paul Rappeneau, who showed Miles a private screening of a film they were working on, and subsequently persuaded him to provide the score. The composer sketched out some rudimentary harmonic sequences in his hotel room, briefly explained the plot to his sidemen (René Urtreger on piano, Kenny Clarke on drums, Barney Wilen on tenor, Pierre Michelot on bass) and headed to the studio where they improvised the entire session without any composed theme, with clips from the film projected on the wall in front of them. The resulting soundtrack to Ascenseur Pour L'Échafaud (translation: "Elevator To The Gallows"… not so romantic-sounding anymore is it?) is, as you’d expect, pure Miles brilliance. Working under the precept of a soundtrack gave Miles the confidence to go down a dozen different rabbit holes chasing different iterations of a singular theme, like the solo bass & drums on “Visite Du Vigile,” or the stalking austerity of piano and trumpet couplet “Julien Dans L’Ascenseur.” Be sure to check out swanky opener “Générique,” the confidently frenetic “Sur L'Autoroute” and the cool-as-shit “Au Bar Du Petit Bac.” This is the first vinyl edition comprising both the original soundtrack and the complete session outtakes, remastered from the original analog tapes and pressed on three heavyweight 10-inch discs. The three-panel gatefold sports a lengthy essay from Miles biographer Franck Bergerot and a pretty awesome photo of the prince of darkness himself. Recommended.
- 60th anniversary edition expanded w/ complete session takes + one previously unreleased track
- triple 10" vinyl pressing
- remastered from the original analog tapes at Abbey Road Studios
- housed in deluxe triple panel gatefold sleeve w/ extensive liner notes by Franck Bergerot
- featuring Miles Davis (t), Barney Wilen (t. sax), René Urtreger (p), Pierre Michelot (b), Kenny Clarke (d)
- original release year: 1958
- music label: Fontana 2026
reviewed by nick nightingale 07/2018
Labheads Also Viewed
Trending
Blue Note x Turntable Lab
